"Bass Raymond Aceto dominates the stage vocally and psychologically, in a manner reminiscent of the scene in “Don Carlos” where King Philip agonises. This is opera at its best."
(Luisa Miller)

- Canberra City News
  by Helen Musa

"Aceto is a real bass, with a distinctive low voice that has both a pleasantly buzzing edge and a focused center." (Nabucco)

- The San Diego Union Tribune
  by Marus Overton

"Most Compelling was only needed ears to sense the heat of hellfire through his resonant, supple voice and get the sense of death." (Verdi's Requiem with Cleveland Orchestra)

- The Plain Dealer
  by Zachary Lewis